Thursday, 20 March 2014

You've had a top night yo - here's five reasons why


At the fag end of February, we hosted our We Run Tings club night. The do was thrown to raise money for my London Marathon effort in April and props to everyone involved. Although slightly chaotic and drunken we had a top time and woke up the next day totally dazed and confused. When I opened my eyes and looked around, I knew it'd been a good do for five keys reasons. I've compiled them below just in case you've got up after a large one and you're just not sure whether you had a boom time or not...

1. Waking up with blood on the face - classic pre-London marathon training regime in full effect. Don't ask where it's come from. Just make sure it comes off.
2. Benjamins in the bed - fundraising must have gone aight.
3. Boots in the bed - one was so relaxed after the night's festivities that one couldn't be arsed taking the boots off. Winner.
4. Car keys to beamer in front room - 'literally' no idea who this person is. Who drives a beamer anyway? Who leaves them in a basement club full of pissed people?
5. Snotty arms - who needs tissues when it's Saturday night. Use your arms you fucking pussy

Benjamins

Boots

Keys

Snot

Blood Orange



Injections of live music used to bring on great euphoria but sadly, disappointment seems to be the top prize from such evenings over the last 12 months.

Pricey tickets, shit sound, too many dick heads, £5 for a can of warm beer that the sneering bar staff opens in front of you, no vibe - without wanting to sound like an old dick, all of these tings and more are wrankles when it comes to going out. And, as the crappy experiences have tended to outweight the good, there's been a general retreat from the clubs into the pubs where it doesn't cost you an arm to booze and the twat quota is low.

With this backdrop, when something's good, it really is fucking great - so it was with Dev Hynes aka Blood Orange when he played the Converse gig at the 100 Club. It was a mesmerising experience fo' sure.

Tickets were divvied up via an online raffle in which the majority of us lost out. I even queued up at midday like a proper fan boy to try and pick up one of the final ten pairs of tickets on offer but was unsuccessful there too. It was only by a chance last minute pull out that we could go. The whole vibe tasted even sweeter as a result.

The 100 Club spills out onto the tourist-shopping-armageddon of Oxford Road so there was a suitable amount of chaos both inside and outside the place, particularly as the now-New York based Dev Hynes wandered freely among the crowd giving high fives to friends old and new. After stints in previous outfits Test Icicles and Lightspeed Champion, he's seemingly found his true vocation as a producer for hire and solo artist in his own right. His studio tinkering with Solange, Sugababes and Sky Ferreira has all been top draw, potentially chart busting hits, but Dev's own material is arguably even better - his latest LP Cupid Deluxe sucks down hard on the best bits of Prince and Quincy before blowing it all back out in lurid smoking four minute pop cannon bombs. And even better is how he sounds live. Surprisingly, watching him in the flesh makes for a crisp, tight sound with Hynes twinkling and sprinkling right through it. This is despite looking like he and his attire (vest, truckers cap and baseball boots) have fallen out of a copy of I-D from the eighties. Even the vocal interplay between him and current squeeze Samanath Urbani is great - it's non-sickly, like a genuine Elton John and Kiki Dee.

The show finished with us drinking our own cans in the venue, an appearance from grime king Skepta and a stage invasion. In lesser hands, this could have been a car crash but instead Dev and his ace, agile band weaved circles around us and left the place in raptures. Hats off...
amantha Urbani



Thursday, 27 February 2014

He's a sexy and elusive motherfucker


Unless you've been asleep under a rock for the last few weeks, then you'll know that wee man Prince has been acting all silly buggers over here in the UK.

Indeed the elderly scamp has been using the element of surprise to its full advantage by playing a series of 'guerilla gigs' across London and in Manchester. The idea behind his Hit and Run tour is that his group, Third Eye Girl, reveal the whereabouts of the show a few hours before it takes place on Twitter. It's a right clever strategy cos the venues are much smaller than the arenas he's accustomed to packing. Because of this smaller scale, everyone goes fucking bat shit at the notion of seeing the wee man race through his hits in a locale where, if he wasn't wearing shades, you'd be able to see the whites of his eyes. It means many folk have spent hours waiting outside various venues around London for hours and hours and hours to see the Purple one rock through hours of hits. Not us however (boo hoo). When he's dropped a bollock of news on the internet, we've always been a little too late on the uptake or in totally the wrong place to warrant a trip to the venue queue. We're still waiting now for something to happen.

The closest I've been to Prince is standing outside Ronnie Scott's 10 hours before he was due on stage watching a queue of 200 people shuffle about and look very pleased with themselves.

Motherfuckers! 


To the top of the Shard and back again


Nothing I says I love you more than a Valentine's Day gift which involves confronting a deep and irrational fear, which is so glued to your very soul that your guts melt and become all sticky at the very thought of it.

No matter what I do, I'm deeply terrified of heights. It may not be the height itself but the fear of falling which keeps my pants moist and my hands shaky. I even come over all funny on escalators. Yeah. What a milksop. But this year on Valentine's Day it was the experience of going up the Shard near London Bridge which was the vibe. It's 72 floors up to the top of this monument. So it's high fo' sure. And the sights are immense. On a clear, sunny day (which was luckily for us, the background to our visit) you can see for miles and miles and miles and miles and miles and miles and miles. Even when, like me, you couldn't go too close to the edge... 

Woaaaaaaaah

Aliens beckoned us

Edgey

London - in all its smelly glory

Crazies going close to the edge. Stop it you loons

Waaaah

These people looked like ants and they weren't even that far away

I like CDs and I want (some) of them to stay



Like most folk in their early thirties, CDs have been a thing for more than half my humble existence. And because they were once the best way to consume sound (and I'm unable to chuck anything without some serious heart-wringing), there are stacks and stacks of them lying around our gaff - fucking hundreds of the wee shiny little bastards.

I've lugged them from one rented place to the next for yonks, playing increasingly small amounts of them in lieu of listening to albums I really wanna check on Spotify via the tinny, shitty laptop speakers. Why am I so pathetically loathe to get rid of them? Each one has some sort of memory, shitty or otherwise attached. Whether it was the first splurge of discovering Fopp and their three quid bargain bins or going without lunch for a week in a bid to save enough coin for a CD single by a no-mark indie band I was infatuated with at the time, there's something behind each one. Anything else? Well laptops sound like a pair of tins being bashed together by a chimp who's sticking sugar up its arse. CDs also used to be fucking expensive back when writing a song could make you any money so it feels like you're lobbing pound coins into the fire by getting rid of the bastards.

I've been wrestling with the dilemma of binning them, the main obstacle being that I'm too disorganised to back anything digital up so keep losing everything every time my computer dies. However, as part of a controlled experiment, I'm flogging some CDs to raise dosh for this marathon (zzzzz) attempt all via our work intranet. There's a mixed bag of shit going up for sale but I've shifted some 70 quids worth. Which ones have shifted you (don't) cry? Anything to do with Zappa, Led Zepp, Bowie, The Smiths and bands of yore while the DJ Semtex grime mix has gone untouched. The buyers are almost all blokes aged 25 and above which (possibly) proves something about how old habits die hard/I'm not alone in being a CD keeping weirdo/blokes love CDs or something else entirely. But if you're looking for tangible facts (and being a lover of physical product this is exactly what I'm after) the only real thing to happen is that (some) of these CDs are here to stay. Certain dinosaurs may have been eventually wiped out but the ones round here are still breathing...

Tuesday, 18 February 2014

I've got A Guy Called Gerald on the phone

For those not in the know, A Guy Called Gerald is a Mancunian, acid house hero. He's been in the game for time but played an important role in the advent of electronics in the UK and beyond with his beats laying down the blueprint for what went on to become house and jungle.

He's basically big in the game and before Christmas I got him on the phone for an interview. He's right opinionated about his music as well as the raw deal the industry has given to him and fellow artists who are only in it for the music. Man. Considering he's viewed as a pioneer (and rightly so), he's got a chip on his shoulder the size of the Hulme Arch Bridge about the state of dance music today. Interesting business which you can check out in our chat below... 

A Guy Called Gerald interview

Before Christmas, this remix of Gerald's monster Voodoo Ray emerged from Jeremy Deller and Optimo. It's magnificent...

Monday, 17 February 2014

Your eyes are like spanners - every time I look them, my nuts tighten


There was no January detox in our hood. Although we took the foot off the drinking gas somewhat, we didn't come slamming to an emergency stop like all the magazines tell you you should. Two fingers to that. Instead we've remained at a low level of drunkenness, enough to get through the working week with a solid spike on the pintometer of a weekend. And now we're in February, we can get back to the normal routine of having enjoying dollops of drink whenever we feel like - hurrah. 

Shit has been real throughout the early part of the year. After the glory of the darts at the Lakeside, there's been injections of culture (visiting London's Roundhouse for a showing of Fuerzabruta), delicious scran (at Mussel Men in Dalston) and the ridiculous (buying a 4kg of onions for £2 - still eating the bastards now). Here are some of the highlights... 

On the travelator

On the telly

Work shoes

Custard on toast

Dancing bear

Rabbit in a cabbage

Zoom in - turns out A Guy Called Gerald has liked a picture of my sister standing outside Greggs

Mucky breakfast

Oh deer

Monolith

Reservoir up past Stoke Newington

Mussel Men's Sunday Roast

London Roundhouse - Fuerzabruta
Cameras ready, prepare to flash

Biggie

Baked camembert

Love scratchies

Lads

Hero

Lamb tagine

Safety first

Pregnancy vs acid trip

Yeah bozo

Wu 4 eva

Eggy

Tony Bleurgh #williammorris

Singing bastards