Friday, 2 May 2008

Bloc Weekend - the post mortem

After all the good times we took down in Glasgow, the week after myself and the Gag Reflex journeyed to East Anglia (Great Yarmouth to be precise) for the Bloc Weekender.

We visited last year on a jolly thanks to Fact Magazine who sorted us out a chalet and a pass to check out the best bits of the rave.

They didn't inform us we'd be staying with a gaggle of cockney wide boy djs/window cleaners/nurofen peddlers. Needless to say we got involved and ended up dining on the finest horse tranquiliser known to man for our Sunday lunch. Lovely...

Thankfully this year was a bit more sedate but still resulted in me giving my wallet away to a crusty within five hours of entering. Then I chundered massively on Saturday during the Black Dog. Warp's finest purveyors of bleepy maximal most be pleased to know that right in the middle of their rave I was splurging my guts reet outside their area. Whoops...

FACT published the review but first here's a few photos they neglected to use. Thankfully I didn't lose my camera although everything else (mind, aforementioned wallet, dignity, ears) ended up in Steve Wright's notorious skip.




Underground Resistance in full effect - note Mad Mike lurking in the back




The 'baron' Dave Clarke at work - electro ghetto tech from the man with deep jowels.



Great Yarmouth's finest cuisine. Note prehistoric peas. They tasted like they'd been up all night.

When you've got a stomach like a fucking walnut, there is nothing better.




Here's my steak pie looking a little more appetising than it did on the plate. We went back to check on the state of my mouth excretion through out the night. It mysteriously disappeared around breakfast time. We spent 'breakfast' with a new friend called Jellyman. Look him up...



Oris Jay (from Sheffield natch) showing Bloc how we fucking do it. Note trainers. Top fucking smart boi.



The Wee djs. Nice tie mate.



C'mon you cunts let's rave



We're all tired...



Shelley Parker in the Smashbloc arena on Sunday. As you can tell by the headgear, the whiff of lunacy and poppers was in the air.



York b-boy Mossadon in the AREA. So good we've booked him for Rough Disko in June. HYPE.




The last fucking stand. Dude on the left is in de rigeaur chicken attire.

Here's the review in all its twisted glory. It's the pennings of a frazzled mind so subsequently the grammar/terms are a bit clarky cat. At this point my brain had properly gone off the deep end...

Take a shitty seaside resort, a holiday park oozing tack, 2,500 of the world’s sickest ravers, 3 days worth of electronic hardness and the resulting chemically-enhanced slice of fun is the Bloc weekend. If ever a party was to be found at the world’s edge/end then this is it. In fact driving through Norfolk may just resemble the journey to the sulphurous outer depths of hell, except that a trip to check on the bowels of Lucifer might be slightly sweeter on the eye. The place really is the a-hole of the UK with little in the way of redeeming features. We were forced to take our minds off the desolation and creeping loathing by feasting on scotch eggs, jam doughnuts and laughing uproariously at the idea of residing in Clengewharton or Whadpole. After 5 hours in a car several clouds of lunacy had severely set in...

Last year Bloc truly had been the rave to end all raves. We’d spent the best part of 48 hours getting up close and personal with a bunch of scallies, our own personal demons and a selection of hot electronics from the likes of Dutch electro lord I-F, booty warbler EDMX and Detroit man Robert Hood among a line up which really would be worth throwing yourself off a cliff for. The five days post-Bloc were full of fear, intense nightmares and brain agony - we weren’t expecting anything less mind expanding or frightening from round two.

After successfully avoiding the sniffer dogs at the gate (who appeared to be taking great, tongue waggling delight in giving the fear to wonkers by bounding through vehicles with gay abandon - a pant soiling prospect to say the least) we found our chalet, stuffed our snouts into some hot cheese and started lapping up our gin stash pronto.

Entering the arena early on Friday eve we were pleased to see all the best bits of last year still standing. This is Pontins so amusement arcades, greasy fodder, Newcastle brown and massive stained rooms more used to seeing doddering collections of blue rinsers shouting ‘house’ bingo rather than the mind-mangled mouthing ‘ketamine’ are all in place. Dob in a random mix of caners featuring crusties, behooded ones and more elderly ravers all biting on the bit to get a chemically induced invertigal lob on and you can practically taste the room odouriser.

Amon Tobin in the Bassbloc was the first artist who walked in front of our rave radar and was surprisingly exciting. His ‘surround sound DJ set’ had far more digital crunch, snap and full on bass than his more smokey Ninja Tunes offerings could lead your ears to expect. The mass of writhing finger poppers getting down in front of him showed that the blue touch paper for this party had been lit, eaten, and gipped up a while ago. Going off…

After Mr Tobin had finished dishing out his eclectic wares, Dave Clarke and Underground Resistance Interstellar Fugitives were the next men on our hit list. Clarke was as subtle as a baron can ever be, lashing all and sundry with ghetto tech, hard booty and funky electro. The UR men played wrapped up in hoods, masks and synths with main man Mad Mike prowling the stage like a panther strutting in his lair. Are UR still relevant? Do they still mean anything? Is the bluster of a ‘change through sonic revolution’ just soap-box posturing from men old enough to know better? It looked awesome but perhaps these days more fierce some sounding electronic artists are out there offering a little more ear bending than their militant breed of technofied-electro funk…

Afterwards we began to spazz out massively in the increasing sea of messiness strewn across the site. I lost my mind, and unfortunately my wallet which I probably ate or gave to a passing crusty to fetch me an ice cream with. The gin had completely slipped one past me so by the time EDMX got stuck into ravaging those still standing somewhere near dawn, I was genuinely lost. Apparently my body was still there but deceiving the hoardes by actually being asleep on my feet - the dance was too good to not at least allow half of yourself to experience it…

Day two was surprising in the first instance that I woke up in bed and it was daylight. Thankfully the bender we had played within did not put our chances of checking the next night’s business at serious risk, unlike those wearing the horses’ heads outside or the chap who was looking to distribute his equine medicine to security, last checked being bundled off into the back of a van.

We even journeyed to Great Yarmouth in the fog for some food at one point (at which various other wide-eyed festival goers cackled at uproariously - ‘Food?! What’s up with you? Losers…’, a particularly ravaged looking members of the wonkathon bellowed as we left). We ate opposite an amusement arcade bestowed with the moniker of ‘Joyland’ which was a slight misnomer. The scran left a little to be desired, especially the peas which had possibly been sitting about in this lonely seaside resort longer than some of the fossils staggering up and down the foggy ‘seafront.’ Like Joyland, this was another fib on the part of the sign maker. There was little in the way of sea, just the cold, the cloud, and pikeys flogging food and possibly glue.
Back in the arena the vibe was becoming increasingly wonk-fuelled. As the sleep deprived and intensely bastardised crossed the beams, the Saturday descended rapidly into what an unhinged and anarchic meltdown.

Sleeparchive was an impossibly nerdy purveyor of ace deep techno, who looked embarrassed to have so many ravers watching him, never mind getting down to his business. He shuffled meekly off after his set - Grow some balls dude, your music bangs. Over in the TecBloc Milanese exposed us to a rare bit of crunk funk, dropping a heavy Timbaland track before spazzing off into a dance floor heavy dubstep selection. Sheffield’s Oris Jay (and Mary Anne Hobbes other half who we caught in the amusement arcade) wouldn’t let the vibe drop by keeping his foot on the dub-tech accelerator.


We missed the Black Dog as I was too busy turning my guts inside out but they sounded pretty banging through the sick in my ears. Karl Bartos didn’t really kill it as we hoped, The Bug’s new direction was a bit dull (where’s the dry ice and gut punching noise gone from the live set up?) while Radioactive Man decided to take a pounding electronic sledgehammer to the Bassbloc floor, almost uprooting it.

Elsewhere Skream justified the hype with a hot, tight and heavy dubstep set. It may have been too chocked with rewinds but it banged just rightly and Juan Atkins looked gaunt and as if he’d had a pipe too many to give a shit about his increasingly off kilter it mixing.

It was left to energy flasher Joey Beltram to raise the roof of the rave on the main arena through a riotous blend of hot, booming, big room techno. At that point my body and mind were again melting and we retired to the chalet to continue the naughtiness until the morning hours with a chap dubbed Jellyman and our increasingly farty entourage…

Sunday was spent staring dumbly at the grand prix and eating fish fingers before entering the arena for the last wobbly hooray. Shelley Parker was an unexpected find in the Smashbloc dropping a wide array of old rave, including Mr Flagio’s ‘Take a Chance’ and Radioactive Man’s ‘Ave it’. Elsewhere the boiler-suit-wearing Mossadon robo funked our booties with an ace set of body blopping eighties electro stuffed with vocoders and digital dancing. The man got the little room bouncing before we were bludgeoned almost to death by the pounding techno, houseisms and filtered acid badness of Phuture 303, A Guy Called Gerald and Ben Sims…

On Monday morning the flat smelt of spam, Tennets Super and one of our crew who was being asked for the car keys thought he was getting badgered for a carcass. The trumps were feral, I couldn’t speak, and after a day or so, I’m still getting my throat repaired, my head round what happened and learning to keep solids down. But again Bloc showed that it’s an intense throw down to the increasingly lengthy season of festival sillyness. Props to our chalet mates at Soma and Radio Magnetic who helped us survive the carnage. If we go in 2009 (lord help us), I’m ordering a helmet and a fucking tank…

Optimo Espacio in Glasgow

Word here's the vibe on a fairly recent trip down to Optimo Espacion town. If you're up there and fancy cracking the electronic whip of a Sunday, then it's got to be done...



Dragons of Zynth were playing. We didn't like them much.















Aww the hype, the verse, the platitudes, the beats, the genre defying mixes -Glasgow ‘clubbing institution’ Optimo Espacio has garnered a reputation that every leftfield electronic shindig would give its latest Hercules and Love Affair promo for - supposedly one of the last bastions of underground dancing, after the merciless culling of Manchester’s Electric Chair by proprietors the Unabombers, and a club as much about the flyers, posters and live acts as much as the music and militant sloganing. The reputation of resident perves Twitch and Wilkes precedes them.

We were Optimo virgins and Glasgow ones too. Staying in a snide guest house near the Glasgow School of Art had made it an interesting trip but we were desperate for the wonk that the city is so famed for.

We’ve checked the Optimo djs before - Scuba in Sheffield played host to them not so long ago while we saw them take on the opening night of Spain's Benicassim festival a few years back.

That was mindblowing - 5am, a still baking hot car park in the south of Spain and one of the pair dropped the heart tapping synth line (where your atriola is the bassline) from the start of Black Strobe’s Italian Fireflies (still the best thing Smagghe has ever done) before bashing it into Blondie. The whole place went ape and that's the last thing memory recalls.

I woke the next day half in half out of a tent mammories melting and mouth like the proverbial menopausal minge - well fucking worth it.

Unfortunately it just our luck to catch the club when it’s two main men are out of town

However we were treated to a special set from Zombie Nation’s Dj Mooner, whose identity on the night was a secret. He was hiding behind some very big specs, a natty yellow jumper and an ace selection of italo cosmic disco which throbbed throughout. That, the smoke machine and ‘We love your ears’ sign boom bipping like a disco light house illuminating our ginned up steps was ace - The selection of doubles at three pounds a pop hammered it all home.

The next day (a Monday - yes the sickos run the night on the lord's day) was spent nursing a burning ass ring after smuggling some ill-gotten chips into the guest house. It was agony. A full day traipsing round Glasgow in the rain with trainers with holes in. The highlight was a full fry up breakfast where a miscalculation was made and the plastic wrapper that the black pudding arrived in was taken down to stomach town. Ouch, ouch, ouch.




This is the view from outside the Sub Club where the do goes down. Shot taken at a jaunty angle natch.

Monday, 3 March 2008

Cut Copy @The Plug February

Cut Copy visited Sheffield the other week and boy we were excited. Their 'So Cosmic' mixtape has been in my ears for yonks and, like a cheese slowly ripening, it's getting hotter and more tangy with every aural altercation.

Here's the review I did for FACT and a link to their site where they kindly put it up...

Check it

http://www.factmagazine.co.uk/da/72459

Review is 'ere...

Cut Copy are inscrutable shadows in and behind today’s garish, post-electroclash musical climate. Debut album Bright Like Neon dropped some four years ago, its mix of 70s AOR, italo, house and 80s indie pre-empting a future full of Klaxons, (nu)raves, and new guitar bands declaring their devotion to Frankie Knuckles as a matter of course.

Since then, the trio have been on tour forever, with only their FabricLive CD and more recent So Cosmic mixtape the only reassurance that the band are still a fully functioning, studio-bouncing entity. Only snippets of new material have fallen through blogs and the interweb, possibly giving lesser bands a chance to try and catch up with this Aussie polarisation of song and dance. Wednesday night and it’s a peculiarly muted crowd in the Plug.

The support acts didn’t really stir our collective tune poles and even when Cut Copy finally stepped onto the stage, they at first scarcely resembled the zeitgeist-pillorying mothers we were expecting. The granny-knitted jumpers and shuffling gauntness suggested we were in for a shoegazing fuzz-fest rather than what we really hoped for: a cowbell-nabbing run with the latest trio to have their studio knobs flicked on/off by DFA boy, Tim Goldsworthy (he’s at the helm of imminent new LP, In Ghost Colours).

However, like a bunch of finger-popping caterpillars going all butterfly our on collective ass [Urgh - Ed], the trio’s shy start really took off, treading a fine line between more introspective guitar-based business and housey electronics, not unlike Alan Braxe and Fred Falke gently socking it to Guided By Voices.

The seemingly random mess of folk present went from being stand-offish starers to moshing air-pummellers within the hour. Older tunes such as 'Saturday' and 'Future' were taken out for a bomb of madam and a serious lunge (with only a sharp synth line preventing total immodesty) while 'Lights and Magic' pointed to a band who have stepped once and for all out of the bedroom of boffindom and fully embraced the power of the disco ball.

The all too brief soiree culminated in the massive, ravey euphoria of 'Hearts on Fire', a tune which sounds like it was bathed in liquid ecstasy before being birthed, while many of the assorted throng were doing a good impression of feeling a late Friday night rather than an early midweek finish. If the album is half as good as the new material which gets an airing this evening, then the cut copyists who appeared in their wake are going to have to have a serious think on how they can better this…

Check: http://www.myspace.com/cutcopy

















Skinny man taking out his anger on his synth
















Cut Copy on stage at the Plug - note natty 'cosmic' knitwear
















Unadulterated glee in the post Cut Copy haze
















More shits and giggles

Rough Disko vs C90 The Bass Off - Feb 15th @Penelopes
















Gag Reflex cracks a smile and nearly cracks the lens... heavy
















The baying hoardes wobbling















Look at this dubstep loving sore - Rich C90 in the midst of the dancefloor meltdown...It's so big he can barely keep his tongue in his mouth...

















The bass off in full effect...


Jeez louise - it's been ruddy ages since I last grappled with my typewriter and updated this ere blog up - I've been slack make no mistake...

The past few weekends have been full of naughtiness. Leave work on a Friday hellbent on staying up forever on some sort of chemical quest to find the chosen land (i.e bed) via a few cinematic classics (e.g Tremors, The Warriors) and a good old rant about vegetables.

Here for your delight are a few images from the Rough Disko party we through a couple of weeks back. We did get to bed via a debate on the merits of cauliflower cheese. The next day we visited a curry house where they sold you poppabombs, a savoury starter which resemble soggy rice crispies too fat for your gob.

Sunday, 27 January 2008

Rough Disko Vs C90 in THE BASS OFF @ PENELOPES FEB FRI 15TH


While I'm at here's detail of our next Rough Disko party, this time with our fellow bass loving party hounds C90. Check out their vibe here
Flyers by our chums Go
Blurb here for your sens...

ROUGH DISKO PRESENT - THE BASS OFF
Where - Penelopes, Sheffield
When - Friday, February 15th
What - 10.30 while 4
Damage - £4

The malignant ROUGH DISKO beast lumbers into 2008 with a new party for your ears and feet, at the scene of December’s nocturnal crime PENELOPES…
This time bring a spare of pants - we’re throwing up THE BASS OFF for a heavy sound clash featuring Sheffield’s electronic and beer loving hounds, C90...
December saw the ROUGH DISKO Djing/gymnastic team display aerobics both on the floor and behind the decks. The wonk levels were jacked up to 98 with help from South London’s finest purveyers of crunking electronics dragged straight from the gutter, ZOMBIE DISCO SQUAD. Props to those mothers for bringing some proper plastik to the chaos…

After spazzing it up domestic style over the NY, February sees us back on the nightime road and welcoming our compadres C90 to the bash. Cut from a similarly demented electronic bent as ourselves, these mothers started holding parties for the same reasons we got embroiled. Cos Steel City night’s can be tuff when no other fun freaks are licking the same pole as you, you mother…

They’ve put on parties with a wide array of guests - Digital Mystikz, DJ Scotch Egg, Boombip, Fog, Rob Hall, Maga Bo, Neil Landstrumm - from such a sparkling array of musical madness you can imagine what sort of sickness they’ll be bringing - all manner of batty bass from dubstep, minimal, bleep to glitched up grime and beats.

Couple that with the Rough Disko team (cut to JIMPOTENT, GAG REFLEX and THE LONDON WICKER since BOB FUNKHOUSE’s sad departure to the smoke), purveyors of electro, house, bassline, house, techno, ghetto tech and booty shaking business and you’ve got a twisted meeting of night-time beams, two crews willing to push each other over the edge into bass fuelled chaos…. Bring on the bass…























YES YES ONLINE SPACE here we go, here we go - I’ve been crafting wordy tings for a while for various publications - FACT, STOOL PIGEON, SANDMAN SHEFFIELD TELEGRAPH, have been just some of my avenues/victims so getting blogstatic seemed like the next appropriate avenue from which to vent forth a spleen located nowhere near the fast lane.

Expect missives erratic and irregular on host of tings - mainly raving, swearing, drinking and the club nights and live gigs we put on and frequent…

I’m part of a collection of fools who put together our electronic club night ROUGH DISKO which can be as erratic and hit and miss as we are - We get drunk and play stonking electronic bangers we love to people who enjoy wrecking their heads as much as we do…

Here’s a link to Rough Disko’s obligatory Myspace - we’ve been operating for 3 years on our own bank defying terms throwing dos and Djing when we’ve got the impetus and a new set of tunes that’ll make it worth your while turning up and checking us…

What evs tho bevs, that’s all by the by…First log on here so to speak is a big up to a Sheffield’s future star, the wee man with the beefy beats who’s firmly riding the 'zeitgeist' aka 'bassline' aka 'club tackle that the North has been bouncing on for time but now London's found out' about. Steel city batty boy, TODDLA T has the hype firmly between his legs...

I’ve been privy and pleasured to doing a few blurbs for the boy as he slowly soars out of our orbit and into the big league. The photo above charts the latest haul I received from him for a big up for his agent (minus the wedge which evaporated a long time ago)...

Check it - that’s my reward for serving up Sheffield golden boy wonder with his latest hunk of word quiche and you’d better believe those verbs sizzled like his batty does.
As a brucey bonus, the scamp sorted us with a promo of the latest Craig David single - that’s a twisted sort of love which don’t come for free…

We caught the train down to Fabric last weekend to check him make his main room debut at the place as part of Sinden's Get Familiar soiree. Predictably he socked it to them. Herve aka The Count, dropped a horrible beast which had parts of Papa Roach’s Last Resort in it. Too much dude, too much…

I was gonna get some shots of inside Fabric but the disappointment of the night crossed with my fear of losing everything I owned meant the lens stayed in the bag.

Instead check out the boozer we went to the following night in Miles End. In the background there's a covers 'band' playing what a mucker described as the most lonely music in the world. The dude in the bottom left of the picture was a dwarf with a passion for stalking ladies round the pub while supposedly on glass collecting duties.

While we were outside taking down a snout, a local came over and told us "it's nice to be nice" after we'd just ingested the remnants of our weekend and were beginning to lose the plot on a massive scale. Much, much more fun than Fabric...