There are many things one likes doing on Monday nights after
work but they don’t often involve hot footing it up the backbone of the UK to
the midlands to go and watch a gig. Usually following Sunday’s cold beer
sweats, mild fear and hot flushes, the first day of the working week is one to be
endured rather than enjoyed. Your standard Monday finishes in a large hot meal
and an early night in a bid to ease the panic and make the next four days more
palatable.
However, on a Monday eve at the start of the sweatiest July
we may have ever had, we went into work hungover, slogged through the office
hours, then scarpered off to Euston to train it up to Brum to catch a gig by US
hip hop hero Kendrick Lamar. When booking the tickets, our adventure seemed like a reasonable
proposition. But the reality was we were spending the best part of 100 notes on
a Monday night out in Birmingham when we all lived 200 plus miles away. It was
even more ridiculous when the majority of the party all needed to be at their
desks the next morning for more work-based pain. Indeed some suffering was on the cards as the
final choo choo home meant we wouldn’t be tucked up in bed until near 2 in da am.
But without such agony we wouldn’t have had a chance to witness
Kendrick in full flight. And fly he did with a live act that sounded satisfyling meaty to the ears. Rather than just the two turntables and a microphone vibe
that we were pessimistically anticipating on the journey there, he brought a
full band to a crowd which was far more Saturday night in Ayia Napa than a sticky
Monday eve in Brum.
The Guardian’s Mark Beaumont has recently been banging on about the difference between gigs in the capital and those across the rest of the country. His premise is that those outside London are always more
appreciative of watching music being performed in the flesh. And he’s correct.
Us in the south have enough going on to be disinterested when it comes to
catching a show. The mosh pit at the Birmingham Academy put going to a gig in London into sharp
contrast. And this initial burst of heavy slap and tickle was only to the ‘EDM’ flexing warm
up DJ. Oof.
The mosh only became more fierce when Kendrick appeared and
proceeded to dance us through the finer joints on his second album Good Kid, M.A.A.D City and beyond. Bitch
Don’t Kill My Vibe, Swimming Pools (Drank) and Money Trees all
sounded fucking large when they barrelled off the stage and sparked the
baseball-hatted, weed-toting hoards to pummel each other and those aroud them even harder.
Kendrick’s
svelte self and super live outfit managed to sound both fucking lean and even
more fucking mean during their 90 minute set. He conducted the crowd through an explosive sweatfest
which culminated in one all mighty jump around before vanishing in a cloud of
crowd moisture leaving us to the last train and a mighty drunken snooze. Kendrick definitely has had a dream. It's loud and has taken him all
the way to the midlands and beyond. This kind of hip hop should neverrrr stop.
mosh pit |
Godlike |
Kendrick |
Monday night in Brum |
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